Race Matters: People of Color, Ideology, and The Politics of Erasure and Reversal in Ursula Le Guin's The Left Hand of Darkness and Mary Doria Russell's The Sparrow
dc.contributor.author | Khader, Jamil | |
dc.date.accessioned | 2018-08-16T10:22:57Z | |
dc.date.available | 2018-08-16T10:22:57Z | |
dc.date.issued | 2005 | |
dc.identifier.citation | .” The Journal of the Fantastic in the Arts 16.2 (Summer 2005): 110-127. | en_US |
dc.identifier.uri | http://ds.bethlehem.edu:8080/xmlui/handle/123456789/53 | |
dc.language.iso | en | en_US |
dc.title | Race Matters: People of Color, Ideology, and The Politics of Erasure and Reversal in Ursula Le Guin's The Left Hand of Darkness and Mary Doria Russell's The Sparrow | en_US |
dc.type | Article | en_US |
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Faculty of Arts